nyankoframe: (Default)
[personal profile] nyankoframe
Fortunately, I'm not playing them this time. :P

Unfortunately, I still don't like them a lot... although I do like this piece in general (Hesitation Tango).


Date: 2006-06-04 09:24 am (UTC)
From: [identity profile] meganemagic.livejournal.com
You might find Sorabji visually intriguing then. =P

Date: 2006-06-04 09:43 am (UTC)
From: [identity profile] nyankoframe.livejournal.com
It's definitely very intriguing. But... oh my goodness.... *dies* Please tell me that's not one bar per line. =P

(What is it from?)

Date: 2006-06-04 09:55 am (UTC)
From: [identity profile] meganemagic.livejournal.com
No bar lines seems more likely, and more comforting (?).

An excerpt from his Transcendental Studies. *blinks*

Date: 2006-06-04 09:57 am (UTC)
From: [identity profile] nyankoframe.livejournal.com
That's a little more comforting...

Whose Transcendental Studies? *lost* nyanko only knows of Liszt's Transcendental Etudes...

Date: 2006-06-04 09:22 pm (UTC)
From: [identity profile] cp8948.livejournal.com
>.<

I despise half-note triplets. Quarter note ones are better for me. But...10 notes in one beat...wow.

Date: 2006-06-05 12:10 am (UTC)
From: [identity profile] nyankoframe.livejournal.com
If it makes you feel better, I have a score (the William Tell overture for piano duet) that has a 43-note grouping. :P

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